Tedious Tuning (Active/passive 3-way front stage)
I am sure it is easier/cheaper to produce music in this way, and sounds better when condensed to various portable formats, and far easier to still get "loud" in the 3mm drivers in most of the headphones these days.
It is a case of technology actually makings things worse in a way.
Sounds like you have things pretty well dialed in bro, enjoy the fruits of your labor

Fej
You are definitely not going for SQ, that's strictly SPL....
That noise from the passenger side is probably the 6.5"drivers swan song...
Congrats on the build brother man, it sounds like a monster, but I'd start saving for some hearing aids soon!
Keith
I would guess something similar to this chart should get you in the ballpark and you can fine tune from there:
Tweeters: As low as 4k as high as 7k depending upon your midrange performance. As low as 6db rolloff. 12db usually works pretty well utilizing "spaced" crossover points between the tweet and mid.
Midrange: Depending upon the size of the cone, as low as 250hz and as high as 350hz for the HP point, and the LP point can be as high as the driver's performance warrants, but usually in the 4-5khz range
Midbass: HP 63-80hz, LP as low as 200hz, and as high as 350hz depending upon the performance of the midrange. The lower the LP point, generally the better the impact
Sub:100hz and down for almost every car audio application (pro audio is a whole different animal). With a dedicated midbass I would start at around 80hz and see if you can sneak it lower, possibly with a less steep slope to blend the sub/midbass together in the stage.
I would start: Sub 80hz 18db slope / Midbass 80hz 18db - 250hz 18db / Midrange 250hz 18db - 4khz 12db / Tweeters 5khz 12db. Mess around from there bro.
G'luck
Fej

Now that's good info!
Windows up and with the volume at level 12-15, i get no distortion and clean powerful sound. Drop the top and crank the radio 18-20 and every once in a while I get a rattle/distortion from the passenger door woofer.
I would start with say a 24 setting for max interior listening and use 27/28 for top down cruising and reset your gains from there. I would bet you will be able to crank down to either minimal gain settings, or maybe 10% for some channels.
You always want to maximize your CLEAN signal strength before asking for amplification. Based on your 12-15 comments, your gains must be set relatively high.
To give you an idea, I run about 65 out of 80 on my Eclipse 8053 for loud, and it will play clean and unclipped to 78 out of 80. My gains are front to back, minimum, minimum, 5% midbass, 10% sub.
G'luck
Fej
get ready to laugh.....
the enclosue i built was a plastic salad bowl hot glued to the backside of the speaker plate. I believe the hot glue seal has failed. Tomorrow it gets fiberglassed the right way.

The Best of Corvette for Corvette Enthusiasts

Fej
btw-
(Just My 2 Cents!)
I noticed this with my new components and amps installed.
Some of my 60's Frank Sinatra stuff sounds crisper and clearer than anything made recently. Frank was VERY Picky
(if you hadn't heard!)Also, My Jimi (from around '68-70) sounded so clear with my new system, I can hear his breath now!
It's pretty freaky! I can hear every pop and ALL the hiss from his Stack!For the best sounding 70's stuff, I found Super Tramp greatest hits and Pink Floyd's "Shine on You crazy diamond" both in 24K Gold Remastered CD's from the early 90's! (Pure Heaven! Ultimate Clean!)
The stuff from the 80's is mostly pretty clean- Van H (w/David Lee Roth) Hot for Teacher sounds great! Then again my wife was DEEPLY into "Hair Bands" and has all of the Poison, Ratt, Winger, Pantera, etc... And there is a Major difference in sound quality! It really depends on how they recorded it!
Nora Jones had a wonderful first album, recorded properly, and sounds great on the new system! But I still believe they have lost a lot of "Sound" while switching from analog studios to digital. Listen to Zeppelin's first album- On Dazed and confused there are some parts where you hear his high-hat hardware squeaking with every step! (....But for recording in a house, with the drummer in the hallway- with only 1 mic
it sounds amazing!♥) I'd miss that squeak if it wasn't there!My favorite Album has to be American Beauty by Grateful Dead. This is when they changed their sound from "Weird/Acid Rock" to "Clean" -They say the record company execs were jumping up and down when they first heard it! (And they expected to HATE IT because of their previous album experiences with the Dead!
)Keep Rocking! Good Luck with your tuning! and Keep us updated!
The bad news is that the distortion was caused by a failure of the woofer surround glue that holds the ribber to the metal frame (see picture). The surround itself is okay. I disconnected all other drivers and by applying minimal pressure with my fingers to the damaged area, I got MUCH improved midbass.

Question: what type of adhesive is best suited for repairing this?
I have the following available:
- Krazy glue
- Hot glue (low melt)
- Silicone sealant
- Weatherstripping adhesive (I think this has the most potential since weather stripping is similar to the material on the surround)
Thankfully i have an SPX 177 woofer i'm going to use in place of the damaged SPX 17MB. Alpine indicates that they have nearly identical construction. I'm building aperiodic enclosures for the woofers and raising the HPC to around 100hz in an attempt to get more control over the bass.
in the meantime, I'll be looking for a more perminant replacement for my midbass drivers. Suggestions for a 6.5" midbass?
http://www.madisound.com/catalog/pro...oducts_id=8234
What are the power requirements of the SLS? I assume it would play best without an enclosure?










