infinate baffle...
I see no advantage to that membrane crap at all. Yes it is indeed different than a passive radiator. Spkrboy has the rest covered.
it's going to consist of
two 15" Dayton IB subs:
http://www.partsexpress.com/pe/pshow...95-455&scqty=4
Behringer DSP1124P Feedback Destroyer Pro w/Parametric EQ:
http://www.partsexpress.com/pe/pshow...TOKEN=20305222
but i'm not sure how much power to throw at these things now. my room is small, I'd say 16 x 16 x 8 but there is a big archway that goes into the dining room. I've should i feed them 350 wrms each or can i get away with less?
btw if my post isn't complete, forgive me. it's 2:30 am and i'm still at work and i havent had a day off for two weeks
would pone of these work?:
http://www.partsexpress.com/pe/showd...604728#reviews
http://www.partsexpress.com/pe/pshow...TOKEN=20305222
i know behringer isn't the cleanest thing out there but we're talking distortion below 100hz which is harder to hear
Last edited by scott_fx; Aug 14, 2007 at 05:42 AM.
btw if my post isn't complete, forgive me. it's 2:30 am and i'm still at work and i havent had a day off for two weeks
would pone of these work?:
http://www.partsexpress.com/pe/showd...604728#reviews
http://www.partsexpress.com/pe/pshow...TOKEN=20305222
i know behringer isn't the cleanest thing out there but we're talking distortion below 100hz which is harder to hear
350/ch should be plenty.
If you insist on active EQ, this might be a better starting point if you're electronically inclined: http://www.trueaudio.com/st_lkxfm.htm
If your room is actually square, you'll have a hell of a room mode to drag down, so a notch filter might be all you'll need. One way to control these modes is to mount the drivers in adjacent corners of the room. Corner-loading usually results in the highest output from the driver, but at the expense of excitation of every room mode. Mounting similar drivers in adjacent corners results in a cancellation of much of this excitation while maintaining the output that corner-loading provides.




.What I've gathered here so far is that the IB setup is a way to "cheat" and use the entire trunk as a sub box without losing the ability to use it as a trunk.
Knowing that the trunk is too large for most drivers (even 2-15"s) you sacrific a little space by making a very small enclosure and making the back of it a flexible membrane. You're actually losing this space anyway since the drivers take up almost the same amount of space themselves. The fact that the membrane exists helps reduce the ill effects of having a "too-large" sub box and the fact that it is flexible helps reduce the effect of having a "too-small" sub box.
How close it that in layman terms?
And if it is "close enough", I can't see any advantage to doing this in a house where I'd think you'd always have room for a proper size box (even if it is in the ceiling).
Thanks for humoring me.
Fej
Fej
In layman's terms: The point is to make the box and port resonate at a frequency below fs, thus adding extra oomph to that range thereby extending the output to 32hz in your example. Normally the response of a speaker falls off sharply below fs. The trick is to also make the box large/small enough to add enough output to keep up with the speaker. With a port, you can tune a small box to have a low resonance but the output might be insignificant. A box too large, tuned to the same frequency might over power and make the system sound muddy. The speaker specifications such as fs and Qts all tell you how big that box should be to match outputs.For infinite baffles, (not that membrane stuff) you would use a speaker specifically designed for that purpose, with a very low fs. No phase distortion from two output sources. They usually sound very good with some trade-offs and there are some companies that even make high end sound reinforcement models. Such as Bag End in Chicago.
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350/ch should be plenty.
If you insist on active EQ, this might be a better starting point if you're electronically inclined: http://www.trueaudio.com/st_lkxfm.htm
If your room is actually square, you'll have a hell of a room mode to drag down, so a notch filter might be all you'll need. One way to control these modes is to mount the drivers in adjacent corners of the room. Corner-loading usually results in the highest output from the driver, but at the expense of excitation of every room mode. Mounting similar drivers in adjacent corners results in a cancellation of much of this excitation while maintaining the output that corner-loading provides.
I included the feedback supressor because i thought it was needed. If i recall when looking at the forums a lot of members were using them. I guess i'll try it w/o any eq'ing first then add the components that i need. I don't think my room is actually square, i think it's actually a rectangle. those figures were just a guess.
What were they using feedback suppressors for?
That seems really odd to me unless there's some really clever new use for them.
jbondfl... correct, there's absolutely no way to use an aperiodic setup in a house. It's completely pointless. The trunk analogy is a bit oversimplified, but essentially right.
It´s great versatility for a great price if you want to flaten out your freq. response for you subwoofers. 12band/channel , 1/60 to 2 octave bandwith on each filter allows for some quite precise filtering....
So I would say price/performance is very good for DIY applications
In all seriousness, if he uses it for sub output only, it will still be very difficult to get any benefit from it without an FFT or TEF analyzer. That's a very narrow range and trying to use more than one of those eq bands set to have such high Q will be very ominous at best. It just seems like a waste of money to me. I certainly wouldn't use it on the full range. The link to the product said it was a professional 24 bit 46k sample rate.
I hope that was a typo. The money would be better spent on a device designed to process sub output, such as the Aphex or a dbx.
quick question about the sub. I found these subs as well (18"):
http://www.soundsolutionsaudio.com/s...d&productId=51
(15")
http://www.soundsolutionsaudio.com/s...d&productId=50
how does it compare to the dayton (15"):
http://www.partsexpress.com/pe/pshow...95-455&scqty=4
quick question about the sub. I found these subs as well (18"):
http://www.soundsolutionsaudio.com/s...d&productId=51
(15")
http://www.soundsolutionsaudio.com/s...d&productId=50
how does it compare to the dayton (15"):
http://www.partsexpress.com/pe/pshow...95-455&scqty=4
Robvuk's right about the EQ. The filters need to be a lower Q to get at room modes correctly. I don't know a whole lot about pro equipment, but fundamentally, it's definitely an inappropriate application.
now i have to figure out if it's going in the floor, under the fireplace or in the ceiling (last choice)
since i have your help. if i were to do a floor mounted IB setup. what is the smallest hole that i could cut into the floor. can i make the manifold wide (15"-16") but narrow... say 4" wide? I'd like to cover the hole with a cast iron register like this:
http://www.thehardwarehut.com/catalo...hp?p_ref=18911
is that a bad idea?
my other option involves the fireplace. originally i had planned on raising the bottom portion of my fireplace so that it sits flush with the bottom of the opening. here is a picture of a fireplace *like* mine

now visualize moving the bottom horizontal tiles up so they are even with the bottom of the door. I was going to leave the front open (covered with grill cloth) and put the a/v equipment in there. However; i could find another place for the a/v equipment and mount the subs in the floor under the platform?
Last edited by scott_fx; Aug 14, 2007 at 11:25 PM.
my other option involves the fireplace. originally i had planned on raising the bottom portion of my fireplace so that it sits flush with the bottom of the opening. here is a picture of a fireplace *like* mine
now visualize moving the bottom horizontal tiles up so they are even with the bottom of the door. I was going to leave the front open (covered with grill cloth) and put the a/v equipment in there. However; i could find another place for the a/v equipment and mount the subs in the floor under the platform?






