true duals
also what did they sound like
any adverse effects
basically pros and cons
well 2 reasons come to mind
1) 2 pieces of straight pipe will flow better than any pipe shaped like an h x pretzel whatever you can bend it into remember quickest diretion to point b from point a is a straight line
x pipe gains 2 hp over h pipe in the fact that is a gradual bend to distribute exhaust h pie is an abrupt 90 degree bend that goes through small minimal hole
so 2 straight pipes will flow better than an x or h or whatever have you
2) x pipes tend to mellow the sound of a c5 by distributing exhaust pulses evenly through each muffler which results in a quieter exhaust note
i have borla stingers and fine the exhaust to be slightly mellower than i would like so if 2 pipes increases the sound just slightly without gaining any resonance thats what im looking for
i hope this answers your question so you can go and put some of that arrogance in another thread dont know if you meant it like it sounds but if you did well there you go
if you cant contribute positively or offer any info dont post at all
thanks
Correct me if I'm wrong.
If you want loud, just run your exhaust off the headers. Who needs cats and muffs anyway?!
but balancing out the pulse would seem to restrict the exhaust due to the break in flow caused by the x as opposed to straight
unless its a back pressure thing i dont see how it would scavenge anything let along make hp (im no engineer but physics is physics)
jdm
thats what im thinking of doing with the factory h pipe cutting and filling the holes
as far as loud goes i want it slightly louder not deafening emissions illegal loud

also what did they sound like
any adverse effects
basically pros and cons
The Best of Corvette for Corvette Enthusiasts
I do know professional race cars (like Nascar) incorporate x pipes in their exhausts so I believe there is value.
how much loss of hp could i look for if i was to just do the 2 pipes
and noone has mentioned the affect it would have on sound
i know the pontiac gto exhaust was designed specifically to have that 60 muscle car sound like the old ones (which utilizd the true dual design)
yes kinda like straight pipes you will notice a loss of low end torque and gain only on the top end

how much loss of hp could i look for if i was to just do the 2 pipes
and noone has mentioned the affect it would have on sound
i know the pontiac gto exhaust was designed specifically to have that 60 muscle car sound like the old ones (which utilizd the true dual design)
You keep talking about True duels like its a good thing... true duels is like comparing down draft weber carburetors to fuel injection.
Those 396's and 454 chevelles of the late 60's and 70's with true duels where high 13 second machines from the factory. Today's cars have come a long way since then. Quantum leaps have been made in the last ten years. Today's small block Ls1/LS6 is a high 11 or 12 second machine. Your knowledge of the New exhaust design of the GTO is just a product of Marketing.
im just wondering what would the affects be if i were toeliminate the h pipe and run 2 single pipes in a true dual fashion
the gto im not sure if it has the h pie or not
ill look and see
http://www.newagegto.com/News.shtml
Early in the vehicle development process, engineers test-drove an original 1964 GTO on loan from the Pontiac historical collection to acquaint themselves with its acoustical traits.
"We wanted to get a real good feel for the sound character of the vehicle," Himmelberg explained, "and that drive provided us with an acoustical baseline from which to start."
"We then listened to the 2002 Corvette, which also has a really good sound with traits we were looking for. With those two baselines, we pretty much had in mind what we wanted to accomplish. Our goal was to come in at a pass-by rate of just under 80 decibels, which is the legal sound limit in some states. But, we knew it couldn't be objectionable. It needed to be a pleasing 80 decibels."
At that point, GM engineers in Australia (where the new GTO is built) and North America worked diligently in a parallel effort to develop an exhaust system that delivered the desired sound and performance characteristics.
"It became a true global effort because the exhaust needed to be developed with parts available in Australia, but acoustically tuned to the spirit of an American classic," Himmelberg said.
Through the efforts of engineers on two continents, a true dual exhaust system was developed and acoustically tuned like a finely crafted woodwind instrument, yet enables the heavy-breathing, low-back pressure needs of the 340-horsepower LS1 V8 powerplant. It consists of:
Dual catalytic converters, one on each exhaust bank;
Two resonators - acoustical chambers that are tuned to a specific resonant frequency via internally positioned louvers - are positioned between each catalytic converter and the mufflers;
Two mufflers with different internal flow paths (the right muffler flow path is longer than the left). This achieves a harmonic imbalance between the exhaust paths, enabling engineers to essentially mix tonal qualities to achieve desired sounds;
Specifically sized and routed stainless steel pipes to ensure reduced backpressure as well as desired tonal qualities; and,
A single tubular brace that holds the paths together between the converters and resonators to minimize vibration that could adversely affect the tonal qualities of the system.
Using advanced exhaust modeling capabilities, literally dozens of math-based models were analyzed during system development to refine exhaust flow and detail paths in various components for desired tonal qualities.
"We analyzed and re-analyzed sound qualities at every point of the performance curve," Himmelberg said. "We wanted the rumble at start up, more of a throaty roar during acceleration, and it needed to have a pleasing presence at cruise speeds."
However, the true test came down to what the exhaust note sounded like to the human ear, and the emotions it evoked.
"We had about five prototype builds of the system," Himmelberg recalled, "and for each of them, it really boiled down to listening to them on the GTO. We had 14 different scenarios where we'd listen to and analyze the sound - during acceleration, pass-by on streets, pass-by on highways, idle . . . you name it."
"In the end, we knew we had exactly the sound we wanted. It's hard to hear it and not just grin."

Early in the vehicle development process, engineers test-drove an original 1964 GTO on loan from the Pontiac historical collection to acquaint themselves with its acoustical traits.
"We wanted to get a real good feel for the sound character of the vehicle," Himmelberg explained, "and that drive provided us with an acoustical baseline from which to start."
"We then listened to the 2002 Corvette, which also has a really good sound with traits we were looking for. With those two baselines, we pretty much had in mind what we wanted to accomplish. Our goal was to come in at a pass-by rate of just under 80 decibels, which is the legal sound limit in some states. But, we knew it couldn't be objectionable. It needed to be a pleasing 80 decibels."
At that point, GM engineers in Australia (where the new GTO is built) and North America worked diligently in a parallel effort to develop an exhaust system that delivered the desired sound and performance characteristics.
"It became a true global effort because the exhaust needed to be developed with parts available in Australia, but acoustically tuned to the spirit of an American classic," Himmelberg said.
Through the efforts of engineers on two continents, a true dual exhaust system was developed and acoustically tuned like a finely crafted woodwind instrument, yet enables the heavy-breathing, low-back pressure needs of the 340-horsepower LS1 V8 powerplant. It consists of:
Dual catalytic converters, one on each exhaust bank;
Two resonators - acoustical chambers that are tuned to a specific resonant frequency via internally positioned louvers - are positioned between each catalytic converter and the mufflers;
Two mufflers with different internal flow paths (the right muffler flow path is longer than the left). This achieves a harmonic imbalance between the exhaust paths, enabling engineers to essentially mix tonal qualities to achieve desired sounds;
Specifically sized and routed stainless steel pipes to ensure reduced backpressure as well as desired tonal qualities; and,
A single tubular brace that holds the paths together between the converters and resonators to minimize vibration that could adversely affect the tonal qualities of the system.
Using advanced exhaust modeling capabilities, literally dozens of math-based models were analyzed during system development to refine exhaust flow and detail paths in various components for desired tonal qualities.
"We analyzed and re-analyzed sound qualities at every point of the performance curve," Himmelberg said. "We wanted the rumble at start up, more of a throaty roar during acceleration, and it needed to have a pleasing presence at cruise speeds."
However, the true test came down to what the exhaust note sounded like to the human ear, and the emotions it evoked.
"We had about five prototype builds of the system," Himmelberg recalled, "and for each of them, it really boiled down to listening to them on the GTO. We had 14 different scenarios where we'd listen to and analyze the sound - during acceleration, pass-by on streets, pass-by on highways, idle . . . you name it."
"In the end, we knew we had exactly the sound we wanted. It's hard to hear it and not just grin."
IT looks like they put alot of resources into bending the sound...
You seem to want to do it. So you should. Then report back to us how it sounds, and how much slower the car runs.












